People watch and like Brazilian animation.īut I agree, more and more there is a convergence. The law includes a domestic quota for pay TV, and animation is bringing those numbers up. ![]() It wasn’t until we started to show the project that people became convinced. ![]() People would tell me: “No, you can’t do that.” It was as if arthouse had to be tense and difficult. I would say I wanted to make a beautiful film, but something more marketable and fun. With films like “My Life as a Zucchini,” “Loving Vincent” and “The Breadwinner, are we seeing a convergence of arthouse and mainstream animation? I don’t come from animation, and I started learning about animation going to Annecy and talking to everybody there. ![]() Producer-director Gustavo Steinberg talked with Variety about the film, the state of animation in Brazil and what’s next for Tito and his birds. In it, Tito and his friends must harness the power of pigeons to fuel his father’s invention, which may be the only way to cure to a pandemic of fear sweeping across their world.
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